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NELSON MACA: Poet, Activist, and Academic

Born in the city of Parana Telemaco Borba, 249 kilometers from Curitiba, Nelson Maca, 47, has expressed the ideas of the black movement for 13 years. At 22, he moved to Salvador in search of a black Bahia and to study at Universidade Federal da Bahia (Ufba). Today, a literature professor at Universidade Católica do Salvador (UCSAL), his work is influenced by artists ranging from rappers such as Mano Brown and Thaíde, to writers like Lima Barreto and Richard Wright. His philosophy draws on the existentialism of Jean-Paul Sartre and the post-colonialism of Frantz Fanon. But it’s not in the academics where he is known, but in social activism.
 “I’m not a teacher who came to head the university. I am a teacher of the university as much as I am of the street.“
A member of the poesía preta (black poetry) movement and political art group Coletivo Blackitude, created 14 years ago, he shakes the black consciousness of Salvador every Wednesday at Sarau Bem Black, at Sankofa African Bar in Pelourinho. Over the past four years, the sarau has received literary names such as Cuti, alias Luiz Silva, and Conceição Evaristo, and music, such as Ellen Oléria and rappers GOG  and MC Marshal. Maca talks a lot about racism, literature, and social activism.
Source: http://atarde.uol.com.br/muito/noticias/1523077-nelson-maca-sou-um-poeta-da-literatura-negra
 
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Poetry from the Margins: Slam Poetry in Salvador

Coletivo Boca Quente
Much like the afoxés, neighborhood art collectives that make up a network of slam poetry groups and movements throughout Salvador, engage residents, primarily youth, to promote socio-cultural awareness, critical thinking and reflective discussion, civic activism, and pride in African heritage through art and poetry heavily influenced by hip-hop culture and pan-africanism. Collectives commonly host a sarau (slam poetry event) as a way to make literature dynamic and accessible to the public at no cost, and as a means of building consciousness and contributing to conversations on race, gender, socio-economic status, health care, quality education, and overall better living conditions. Organizations like Coletivo Boca Quente, Arte Marginal Salvador, Sarau do Gheto, and Sarau da Onça, for example, are part of a movement that provides cultural spaces previously unavailable to the community.
 https://www.youtube.com/channel/UC9dMIIpKD0QZwG57-jPv9tA
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Capoeira Angola

Capoeira Angola is an Afro-Brazilian martial art that combines acrobatics, fighting, music, African history and philosophy and refers to every capoeira style that keeps the traditions held before the creation of the Regional style. Enslaved Africans brought the movements of Capoeira Angola to Brazil, disguising the martial elements of Capoeira Angola as dance and adding music and singing. Since the abolition of slavery until present day, Capoeira Angola continued to develop as a community instrument of freedom and social resistance.

In 1941, Mestre Pastinha who was much respected by recognized capoeira masters, opened the Centro Esportivo de Capoeira Angola (CECA). His preference for the playful aspects of the game, rather than the martial side, became associated with Angola style that was also characterized as being strategic, with slow, smooth, sneaking movements played low to the ground.

The music typically played with capoeira is in bateria (percussion band) formation in a roda of Capoeira Angola. Instruments played are three berimbaus (stringed percussion instrument), two pandeiros (tambourine-like instrument), one atabaque (tall drum), one agogô (cowbell-like instrument) and one ganzuá (bamboo stick instrument). Today, Capoeira Angola groups flourish across Brazil and around the world.

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Hey DC! We’ve got a busy weekend ahead and we’ Hey DC! We’ve got a busy weekend ahead and we’re so excited for it! Join us for any or all of our performances! Saturday 12p: Afro-Atlantic Histories Festival @ngadc 3:30p: Mt Pleasant family show @dcpl Sunday 5pm: Season Opener halftime show @washingtonspirit
Hi friends! Be sure to catch us at our next show w Hi friends! Be sure to catch us at our next show when we play at the Afro-Atlantic Histories Festival @ngadc National Gallery of Art on April 30th at 12pm.
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International Women’s Day - Celebrated annually International Women’s Day - Celebrated annually on March 8. Is a day that commemorates the social, political and economic achievements of women. Women in different parts of the world use this day to come together to celebrate one another and rally for equal treatment and representation. Batala Hey to all the wonderful women of the world! 🎉❤️💃🏽🎶🥁
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We had a fabulous time celebrating Mardi Gras yest We had a fabulous time celebrating Mardi Gras yesterday with everyone that came out to @thewharfdc for the parade! #mardigras #bataláhey ⚜️💚💜❤️🥁 

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Looking for something fun to do this coming Saturd Looking for something fun to do this coming Saturday? Batalá Washington will be participating at this year’s Mardi Grass Parade at The Wharf. Festivities start at 3pm. February 26 at 3pm. Hope to see you there! 

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Happy Black History Month from Batalá Washington! Happy Black History Month from Batalá Washington!
Batalá Washington’s mission is to empower women through music and drumming and to expose our DC community to the Afro-Brazilian, most specifically to the Afro-Bahian, music and culture. We celebrate and honor all the Afro-Brazilian artists and musicians who inspire us every day.
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HAPPY NEW YEAR 2022 to our Batala DC Familia. Wish HAPPY NEW YEAR 2022 to our Batala DC Familia. Wishing the new year brings much happiness, health and samba reggae and funk beats to all. Feliz Ano Novo. Batala Hey!.
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We had an amazing (& chilly) morning playing for a We had an amazing (& chilly) morning playing for all the runners of the @runrocknroll half marathon! Thanks to all the runners, staff, volunteers, first responders and crowd for a great race! 👟🥁
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