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Festival Afro-Bahia 2021

This year, for the first time, DC’s annual Festival Afro-Bahia went virtual and was accessible to audiences across geographic areas. This year’s theme was “As Yabas”, representing the power and reverence of women through online sessions led by women demonstrating music, dance, history, aesthetics, and includes panel discussions about socio-cultural activism and women’s experiences as musicians and artists.

June 11 – Features the movie “Dona do Terreiro” directed by Daisy Anunciação which talks about the importance of women in the Candomblé religion.

June 12 – The day’s opening honors the memory of Babalorixá Arnando Tavares the spiritual mentor of Festival Afro Bahia. He will be eternally missed. He did not like sadness, so we continue with wonderful music videos and testimonies of Mestres Tonho Materia and Badaró about the importance of Festival Afro Bahia.

Session 2 – Afro Brazilian dance workshop with movements of Yansã.

Session 3 – Workshop teaching the dance of the Ebony Goddess of Ilê Aiyê.  Followed by a Capoeira workshop for all levels.

Session 4 – Two important panels: The first one is a panel about cultural history, collaborative efforts, and social activism. Both panels delve into the importance of women empowering other women to achieve their goals and recognition.

June 13 – The event closed with the music clip “Boto Pra Mexer” by Gabi Moraes featuring Mari Antunes followed by a Turban Workshop demonstrating different styles of turbans that can be worn on many occasions and also some history of this wonderful hair garment. In closing, a celebration with a concert with world-renowned singer Tonho Materia and all-women percussion band Batalá Washington at the Kennedy Center Millennium Stage.

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Luislinda Valois

In 1984, Bahian-born Luislinda Valois was the first black woman to become a judge in Brazil, just one of many achievements. She earned her law degree at the age of 39 and lived in the city of Curitiba, in the south of Brazil, working as a municipal attorney, deputy chief and chief of the National Department of Roads and Railroads (DNER) for six years . Valois has won numerous awards and honors for her tireless dedication to the defense of black people and the oppressed. In 2009, she released her first book, O Negro no Século XXI (The Black in the 21st Century) detailing the current situation of black people in education, work, social justice, public policy and sports, and in 2010, she won the prestigious Claudia award, which honors women who dream, achieve and transform the lives of Brazilian people, in the category of Public Policy. Today, at 73, she continues to fight so that black women have more of a space in society.

 

Check out this article on Black Women of Brazil’s website to learn about other Afro-Baianas making a difference in Bahia.

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Balé Folclórico da Bahia

Balé Folclórico da Bahia, the only professional folk dance company in Brazil, was formed in 1988 by Walson Botelho and Ninho Reis. Based in Salvador in the northern state of Bahia, and under the leadership of artistic director José Carlos Arandiba, the 32-member troupe of dancers, musicians, and singers performs a repertory that originates from Bahian folkloric dances of African origin and includes slave dances, capoeira, samba, and those that celebrate Carnival. The company highlights the region’s culture within a contemporary theatrical vision.

Balé Folclórico da Bahia made its debut in July 1988, at the Joinville Dance Festival where an audience of 20,000 enthusiastically greeted its performance entitled “Bahia de Todas as Cores” (All Colors of Bahia). The troupe’s immediate success brought invitations to perform at other festivals around the country. After being awarded “Best Performance of the Year” by the Ministry of Culture, through the National Institute of Dance, the dance company was invited by the Ministry to tour all of the principal capitals of Brazil, which earned the troupe the acclamation as one of the country’s most important dance companies. Its U.S. debut tour was in 1995-96 and it has since performed in 88 US cities, earning rave reviews and playing to sold-out houses.